10.2006........	Giving myself one year to devote to spanish, percussion and salsa; considering an around-the-world ticket...
07.2006.......	Taught at the 10th annual CNMAT Max/MSP/Jitter day and night school. The Max/MSP Night School was the course I taught; syllabus and patches are here.
07.2005.......	Taught at the 9th annual CNMAT Max/MSP/Jitter day and night school. Starting this year, I will be teaching the entire advanced course, whereas mzed is going to hanle the day school. Syllabus and patches are here.
01.2005........	Seems that more and more of what I do fits under see with some sprinkles of listen.
09.2004........	Finished work on Bondage by Atau Tanaka, presented at La Villette Numerique 2004, as well as other places later. More here...
08.2004.......	Taught at the 8th annual CNMAT Max/MSP/Jitter day and night school. Class patches can be found here.
07.2004.......	Invited by Ranjit Makkuni of Sacred World Research Labs to work on a permanent interactive sound installation for the Ghandi Multimedia Museum at Ghandi Smriti, the location where Ghandi was assassinated. More here...
06.2004........	Ojai Festival 2004: Along with champion David Wessel and Edmund Campion of CNMAT, I helped--as head technical manager--pull of a most successful concert program of electro acoustic music including works by Subotnik, Wessel, Chin, Campion and Saariaho.
05.2004........	I was invited by an old colleague Alexander Jensenius and composer Rolf Inge Godøy to present some of my work at a seminar on musical gesture at NoTam in Oslo, Norway.
04.2004........	Capital Sonor: Invited to play a set with my man Gilbert Nouno at this electronic music festival in Paris, which took place in a most hip spot in Paris called Les Voutes.
03.2004........	A short residency with my man Gilbert Nouno in Geneva, Switzerland. We explored possibilites of pmpd, a set of PureData externals for modeling physical systems, which I ported for Max/MSP.
12.2003.......	The Gas Festival: At the invitation of Swedish composers and performers Åke Parmerud and Per Anders Nilsson, I gave a concert and a workshop in Gothenburg.
10.2003........	Started teaching at ARI, a post-graduate degree program at ENSAD for students interested in interactivity and work with art and technology.
09.2003........	La Kitchen at La Gaité Lyrique; along with 40 other artists, I participated in an electronic concert series.
07.2003........	Placard: Genius, this event! My friend Helekin invited me to participate in a 72-hour long headphone concert taking place at a very unique place in Paris called La Gaité Lyrique. I played a duo set with my friend Syrille Henry. No loud speakers, no stage, 72 artists, day and night. Must do one of these in the Bay Area.
07.2003........	Centro Multimedia, Mexico City: along with my bros Matt Wright and Roberto Morales, we were invited to Mexico City by the Centro Multimedia--part of Consejo Nacional para Artest y Cultura--to give a week-long workshop on interactive techniques for working with audio and video within the Max/MSP environment. We finished the week with a concert, from which you can here one piece here.
06.2003........	Ojai Festival 2003: Along with champion David Wessel of CNMAT, we realized the Piere Boulez classic, "Dialogue de l'ombre double" in the maestro's presence.
05.2003........	CNMAT / CCRMA exchange concert: I organized an evening concert for composers from Berkeley's CNMAT and Stanford's CCRMA (thanks to Oded Ben-Tal on the Stanford end). My contribution was a work for dancer with live sound and image, called jesvix.
02-05.2003..	Live performance/studio instrument: I was hired by composer Linda Bouchard to design and program a computer instrument for a dance piece she was choreographing.
11.15..2002........	Collaborative composition and performance with my man David Bithell. The culmination of our three+ year collaboration was an evening long show at CNMAT that combined music, theater, realtime interaction with computer instruments, and a number of wooden blocks. (coming...)
02-08.2002..	Live performance instrument: I was hired by composer Alvin Curran to design and program a computer instrument for him to perform with. More...
03.2002........	Fanfare for Trumpet and Electronics. My main man David Bithell and I were commisioned to help composer Olly Wilson realize his fanfare for the openning of the new UC Berkeley Music Library.
05.2002........	Music for Silent Film: In a collaboration between the UC Berkeley Music Department and the Pacific Film Archives, composers were asked to produce scores for short silent films. I decided to turn this opportunity into one for a performance piece.
2000-2002...	theSticks: my live interactive computer instrument for performance. More...